Hello! Welcome back to our course on growth flywheels.
In our last lesson, we analyzed TikTok's trend-driven flywheel, a powerful example of a system where a central algorithm rapidly accelerates content lifecycles by rewarding imitation and participation. We saw how creators operate as agents trying to optimize for visibility within a fast-moving, content-first ecosystem.
Today, we shift our focus from platforms where creators are largely subject to a single, dominant algorithm to a scenario where the distribution model itself is a fundamental strategic choice. We will examine two platforms for written content that represent opposite ends of the distribution spectrum.
Lesson 5: Centralized vs. Decentralized Distribution
This lesson's objective is to compare the centralized (Medium) vs. decentralized (Substack) distribution models and their impact on the writer-reader growth loop.
We will analyze:
- The core economic and structural differences between Medium's aggregator model and Substack's direct-to-creator model.
- How each platform's structure shapes the incentives for writers and the nature of the writer-reader relationship.
- The distinct growth flywheels that emerge from these two opposing philosophies.
From an economics perspective, you can view this as a comparison between a two-sided market aggregator (Medium) and a tool that facilitates the creation of many independent, direct-to-consumer markets (Substack).
1. Defining the Playing Field: Aggregator vs. Enabler
To begin, let's establish a practical, high-level understanding of what Medium and Substack offer to a writer.
A Complete Breakdown of Medium vs Substack | How to Make Money as a Writer
The video 'A Complete Breakdown of Medium vs Substack' by Hudson Rennie offers a concise, practical overview of both platforms from a creator's perspective. It's a good starting point for understanding the basic value propositions and monetization mechanics.
Please watch the segments from 01:20 to 08:23. Pay close attention to the descriptions of: How each platform works at a high level. The sources of traffic (organic search for Medium, direct for Substack). The different paths to monetization and their respective earning potentials.
The video makes the core distinction clear:
- Medium is a destination, an aggregator. Readers pay a single subscription fee ($5/month) for access to a vast library of content. The platform handles discovery and distributes revenue to writers based on engagement from paying members.
- Substack is a tool. It enables writers to launch their own independent newsletter and publication. The writer is responsible for finding an audience and convincing them to subscribe (for free or a price they set). The writer owns the direct relationship and the email list.
This fundamental difference is best captured by a framework we'll explore in more detail later. As author Russell Nohelty puts it, Medium fosters a content-led relationship, while Substack fosters a creator-led relationship. On Medium, you follow topics and discover writers. On Substack, you follow writers and discover their take on topics.
2. The Decentralized Model: Substack's "Garden"
Substack represents a deliberate move away from the algorithm-dominated, centralized platforms that defined the social media era. Its co-founder, Hamish McKenzie, has a specific philosophy for this model.
Is This the Future of Media? | Substack Cofounder Hamish McKenzie | TED
In his TED talk, 'Is This the Future of Media?', Hamish McKenzie articulates the vision behind Substack. He uses a powerful analogy to describe the evolution of media, which provides the 'why' behind the decentralized model.
Watch the segments from 02:21 to 08:58. Focus on his framework of media evolving from the 'Temple' (traditional gatekeepers) to 'Chaos' (social media aggregators) and finally to the 'Garden' (the decentralized creator economy). Note his emphasis on 'economic autonomy' and 'direct relationships'.
McKenzie's "Garden" is the key concept here. It's a system where power is distributed, and value is exchanged directly between creator and consumer. This structure gives rise to a very specific type of growth loop.
The Substack Writer-Reader Flywheel (Decentralized):
- Direct Audience Building: A writer starts a Substack, often bringing an initial audience from another platform (like Twitter/X) or building one from scratch through promotion and networking. The writer owns the email list, their core asset.
- Value Creation & Trust: The writer produces high-quality, niche content, delivering it directly to the reader's inbox. This consistent delivery of value builds trust and a direct relationship, unmediated by an algorithm.
- Monetization & Conversion: The writer introduces a paid tier. Because of the trust and direct relationship, a percentage of the free audience converts to paying subscribers, creating a recurring, predictable revenue stream.
- Reinvestment & Deepening: This sustainable income gives the writer economic autonomy. They can quit their day job, or simply dedicate more resources (time, research) to creating even better, more specialized content for their dedicated audience.
- Reinforcement: Better content attracts more niche readers through word-of-mouth and Substack's own network features (e.g., Recommendations), and it strengthens the loyalty of existing subscribers, increasing retention and lifetime value. This feeds back into step 1.
The critical feature of this flywheel is ownership. The writer owns the audience relationship and the business model. The primary challenge is the "cold start problem"—building that initial audience.
3. The Centralized Model: Medium's Curated Ecosystem
Medium started with a similar promise of democratizing publishing but has evolved into a very different beast. It operates as a classic aggregator, but with a recent strategic pivot that is crucial to understand.
How Medium finally pivoted its way to profitability
The article 'How Medium finally pivoted its way to profitability' by Simon Owens provides an excellent analysis of Medium's current strategy. It explains the mechanics of their human-in-the-loop curation system and, most importantly, the type of writer they are now targeting.
Please read the sections that detail: The introduction of the 'Boost' program, where human curators elevate stories. CEO Tony Stubblebine's explicit goal of attracting 'expert' creators who are not seeking a full-time income. The resulting flywheel where paying for quality attracts experts, who attract subscribers.
This article reveals a fascinating and counterintuitive strategy. Medium is not trying to be a platform where writers can make a full-time living. Instead, they view payouts as an "honorarium" to attract subject-matter experts who write as a secondary activity.
This leads to a very different flywheel.
The Medium Writer-Reader Flywheel (Centralized):
- Content Production: A diverse pool of writers, particularly experts with day jobs, publish articles on the platform.
- Human + Algorithmic Curation: A system of community and internal curators identifies and "Boosts" high-quality stories.
- Platform Distribution: The Medium algorithm heavily promotes Boosted stories across the platform (homepage, digests, app notifications), delivering them to its large base of paying members.
- Member Engagement & Revenue Share: Paying members read the curated content. Writer earnings are calculated based on engagement metrics (read time, applause, etc.) from these members. A Boost acts as a significant payment multiplier.
- Attraction of Experts & Subscribers: The promise of wide distribution and a financial "honorarium" (the Boost) incentivizes more experts to share their knowledge on Medium. This high-quality, expert-driven content makes the platform's subscription more valuable, attracting and retaining more paying members. This, in turn, increases the total revenue pool available to be paid out to writers, reinforcing the loop.
This is an indirect, platform-mediated flywheel. The writer's success is contingent on being selected by the central curation system. The primary challenge for the writer is navigating this opaque system.
4. A Framework for Comparison: "Desert" vs. "Forest" Writers
The structural differences between these platforms mean they are optimized for entirely different types of creators. Your background in multi-agent systems is useful here; think of Medium and Substack as two distinct environments that select for different agent strategies.
The great Medium vs. Substack debate - by Russell Nohelty
The article 'The great Medium vs. Substack debate' by Russell Nohelty introduces a brilliant framework for understanding this divergence: the 'Desert' vs. 'Forest' writer archetypes.
This is the core conceptual piece for our lesson. Please read these sections carefully: Start with 'How tho??' to grasp the fundamental difference in mindset. Read the definitions of 'Deserts' and 'Forests'. Read 'That output grind, tho…' to see how these archetypes lead to different content strategies and production cadences. Focus on how the platform's model attracts and rewards one archetype over the other.
This framework provides the "why" behind a creator's platform choice.
- "Desert" Writers (Medium): These are "pliable creators who are good at writing to market." They are comfortable chasing trends, writing for a broad audience, and playing by an algorithm's rules to gain access to a large, pre-existing audience. For them, Medium's model is ideal: it provides the audience, and their job is to create content that the platform's system will amplify. Their strategy is about volume and market fit.
- "Forest" Writers (Substack): These creators "march to the beat of their interests." They succeed by cultivating a deep, loyal relationship with a niche audience that values their unique voice and perspective. They have a "viscerally negative reaction" to chasing trends. For them, Substack is ideal: it provides the tools for independence and a direct relationship. Their strategy is about depth and authenticity.
This leads to a clear set of trade-offs:
| Feature | Medium (Centralized Aggregator) | Substack (Decentralized Enabler) |
|---|---|---|
| Distribution | Platform-driven. Content is pushed by a central curation/algorithmic system. | Creator-driven. Writer is responsible for building and reaching their audience. |
| Discovery | Readers discover content via the platform's recommendations. | Readers discover writers via external channels and word-of-mouth. |
| Relationship | Content-led & Mediated. The relationship is between the reader and the platform. | Creator-led & Direct. The relationship is between the reader and the writer. |
| Monetization | Revenue Sharing. Writers get a slice of a central subscription pool. Unpredictable. | Direct Payment. Writers get the majority of revenue from their own subscribers. Predictable. |
| Primary Asset | The writer's portfolio of articles on the platform. | The writer's email list. This is portable and owned. |
| Optimal Strategy | "Desert": Adapt to trends, high volume, broad appeal, optimize for "Boosts". | "Forest": Develop a unique voice, deep niche focus, build community, optimize for trust. |
| Primary Risk | Platform Risk: An algorithm change or curation policy shift can destroy your income overnight. | Market Risk: You might fail to find a product-market fit and build a sustainable audience. |
Conclusion
Key Takeaways:
- Medium and Substack represent two fundamentally different approaches to content distribution: centralized aggregation versus decentralized enablement.
- Medium's centralized model uses a human-in-the-loop curation system (Boost) to drive a flywheel that attracts experts and paying subscribers. It optimizes for a broad library of quality content and selects for "Desert" writers who are skilled at adapting to platform rules for reach.
- Substack's decentralized model enables a direct writer-reader flywheel based on trust, economic autonomy, and audience ownership. It optimizes for deep, niche communities and selects for "Forest" writers who succeed through their unique voice and expertise.
- The choice between them is not merely tactical but a core strategic decision about the desired business model, risk tolerance, and the nature of the relationship a writer wants to have with their audience.
Preview of the Next Lesson:
We've now explored flywheels in algorithm-driven content (YouTube, TikTok) and writer-driven platforms (Medium, Substack). As an ed-tech founder, the next topic will be especially relevant. We will shift our focus to educational platforms and evaluate the freemium content models of Khan Academy and Coursera as a strategy for user acquisition and conversion to premium or institutional offerings.
Can't find a good explanation? Sign up and we'll make it for you
Sign up